This article emerges from the raw material of an ethnographic process that seeks to remain faithful to the overwhelming nature of juxtaposed spaces and times. The reader is invited to engage closely with the details as an exercise in recognizing how disorder reveals its own order within the very context in which it takes shape and meaning. We will walk through narrative figures in what I propose is a composed ontographic fractal, which outlines a portrait of two protagonists who are part of the sexgeneric dimension of a fieldwork carried out between two neighbouring cities, La Paz and El Alto, Bolivia.